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IambicpentameterisacommonlyusedtypeofmetricallineintraditionalEnglishpoetryandversedrama.Thetermdescribestherhythmthatthewordsestablishinthatline,whichismeasuredinsmallgroupsofsyllablescalled"feet".Theword"iambic"referstothetypeoffootthatisused,knownastheiamb,whichinEnglishisanunstressedsyllablefollowedbyastressedsyllable.Theword"pentameter"indicatesthatalinehasfiveofthese"feet".IambicrhythmscomerelativelynaturallyinEnglish.IambicpentameteristhemostcommonmeterinEnglishpoetry;itisusedinmanyofthemajorEnglishpoeticforms,includingblankverse,theheroiccouplet,andsomeofthetraditionalrhymedstanzaforms.WilliamShakespeareusediambicpentameterinhisplaysandsonnets.AllegoryFirstattestedinEnglishin1382,thewordallegorycomesfromLatinallegoria,thelatinisationoftheGreekλληγορία(allegoria,"veiledlanguage,figurative,"[3]whichinturncomesfrombothλλος(allos,"another,different"[4]andγορεύω(agoreuo,"toharangue,tospeakintheassembly"[5]whichoriginatefromγορά(agora,"assembly".Asaliterarydevice,anallegoryinitsmostgeneralsenseisanextendedmetaphor.Allegoryhasbeenusedwidelythroughoutthehistoriesofallformsofart,largelybecauseitreadilyillustratescomplexideasandconceptsinwaysthatarecomprehensibletoitsviewers,readers,orlisteners.Allegoriesaretypicallyusedasliterarydevicesorrhetoricaldevicesthatconveyhiddenmeaningsthroughsymbolicfigures,actions,imagery,and/orevents,whichtogethercreatethemoral,spiritual,orpoliticalmeaningtheauthorwishestoconvey.P17Ballad(民谣Inmoreexactliteraryterminology,aballadisanarrativepoemconsistingofquatrainsofiambictetrameteralternatingwithiambictrimeter.BalladsderivefromthemedievalFrenchchansonballadéeorballade,whichwereoriginally"dancingsongs".BalladswereparticularlycharacteristicofthepopularpoetryandsongoftheBritishIslesfromthelatermedievalperioduntilthe19thcenturyandusedextensivelyacrossEuropeandlatertheAmericas,AustraliaandNorthAfrica.Commontraits特征)oftheballadarethat(athebeginningisoftenabrupt,(bthestoryistoldthroughdialogueandaction(cthelanguageissimpleorfolksy,(dthethemeisoftentragic---thoughcomicballadsdoexist,(etheballadcontainsarefrainrepeatedseveraltimes.TheballadbecamepopularinEnglandinthelate14thcenturyandwasadoptedbymanywriters.OneofthemostimportantanthologiesofballadsisF.J.ChildsTheEnglishandScottishPopularBallads.Epic(史诗Anepicisalongoralnarrativepoemthatoperatesonagrandscaleanddealswithlegendaryorhistoricaleventsofnationaloruniversalsignificance.Mostepicsdealwiththeexploitsofasingleindividualandalsointerlacethemainnarrativewithmyths,legends,folktalesandpastevents;thereisacompositeeffect,theentirecultureofacountrycoheringintheoverallexperienceofthepoem.Epicpoemsarenotmerelyentertainingstoriesoflegendaryorhistoricalheroes;theysummarizeandexpressthenatureoridealsofanentirenationatasignificantorcrucialperiodofitshistory.简史P39Blankverseispoetrywritteninregularmetricalbutunrhymedlines,almostalwaysiambicpentameters.[1]Ithasbeendescribedas"probablythemostcommonandinfluentialformthatEnglishpoetryhastakensincethe16thcentury"[2]andPaulFussellhasestimatedthat"aboutthree-quartersofallEnglishpoetryisinblankverse."[3]ChristopherMarlowewasthefirstEnglishauthortomakefulluseofthepotentialofblankverse.ThemajorachievementsinEnglishblankverseweremadebyWilliamShakespeare.Blankverse,ofvaryingdegreesofregularity,hasbeenusedquitefrequentlythroughoutthe20thcenturyinoriginalverseandintranslationsofnarrative1
verse.Ode(颂歌Long,oftenelaborateformallyricpoemofvaryinglinelengthsdealingwithasubjectmatterandtreatingitreverently.Itaimsatglorifyinganindividual,commemoratinganevent,ordescribingnatureintellectuallyratherthanemotionally.Conventionally,manyodesarewrittenordedicatedtoaspecifiesubject.Forinstance,OdetotheWestWindisaboutthewindsthatbringchangeofseasoninEngland.OdetotheNightingaleisaboutthenightingalethatluresthepoettemporarilyawayfromhisgreatmisery.TheearliestEnglishodesincludetheEpithalamionandtheProthalamion,ormarriagehymnsbypoetEdmundSpenser.Metaphysicalpoetry(玄学诗)aderogatoryterminventedbyJohnDryden(1631-1700andlateradoptedbySamuelJohnson(1709-1784describingaschoolofhighlyintellectualpoetrymarkedbyboldandingeniousconceits,incongruousimagery,complexityofthought,frequentuseofparadox,andoftenbydeliberateharshnessorrigidityofexpression.Themainthemesofmetaphysicalpoetsarelove,death,andreligion.Accordingtothem,allthingsintheuniverse,nomatterhowdissimilartheyaretoeachother,arecloselyunifiedinGod.ThechiefrepresentativeofthisschoolwasJohnDonne.ByronicbelongingtoorderivedfromLordByron(1788-1824orhisworks.TheByronicheroisacharacter-typefoundinhiscelebratednarrativepoemChildeHaroldsPilgrimage(1812-18,hisversedramaManfred(1817,andotherworks:heisaboldlydefiantbutbitterlyselftormentingoutcast,proudlycontemptuousofsocialnormsbutsufferingforsomeunnamedsin.EmilyBrontesHeathcliffinWutheringHeights(1847isalaterexample.Heroiccoupletarhymedpairofiambicpentameterlines:LetObservationwithextensiveViewSurveyMankind,fromChinatoPeru(JohnsonNamedfromitsusebyDrydenandothersintheheroicdramaofthelate17thcentury,theheroiccouplethadbeenestablishedmuchearlierbyChaucerasamajorEnglishverse-formfornarrativeandotherkindsofnon-dramaticportry:itdominatedEnglishpoetryofthe18thcentury,notablyinthecoupletsofPope,beforedeclininginimportanceintheearly19thcentury.Soliloquyadramaticspeechutteredbyonecharacterspeakingaloudwhilealoneonthestage(orwhileundertheimpressionofbeingalone.Thesoliloquistthusrevealshisorherinnerthoughtsandfeelingstotheaudience,eitherinsupposedself-communionorinaconsciouslydirectaddress.SoliloquiesoftenappearinplaysfromtheageofShakespeare,notablyinhisHamletandMacbeth.Apoemsupposedlyutteredbyasolitaryspeaker,likeRobertBrowningsSoliloquyoftheSpanishCloister(1842,mayalsobecalledasoliloquy.Soliloquyisaformofmonologue,butamonologueisnotasoliloquyif(asinthedramaticmonologuethespeakerisnotalone.简史P39Sonnetalyricpoemcomprising14rhyminglinesofequallength:iambicpentametersinEnglish,alexandrinesinFrench,hendecasyllablesinltalian.Therhymeschemesofthesonnetfollowtwobasicpatterns.TheItaliansonnet(alsocalledthePetrarchansonnetafterthemostinfluentialoftheItaliansonneteerscomprisesan8-lineoctaveoftwoquatrains,rhymedabbaabba,followedbya6-linesestetusuallyrhymedcdecdeorcdcdcd.Thetransitionfromoctavetosestetusuallycoincideswithaturn(Italian,voltaintheargumentormoodofthepoem.InavariantformusedbytheEnglishpoetJohnMilton,however,theturnisdelayedtoalaterpositionaroundthetenthline.Somelaterpoets----notablyWilliamWordsworth----haveemployedthisfeatureoftheMiltonicsonnetwhilerelaxingtherhymeschemeoftheoctavetoabbaacca.TheItalianpatternhasremained2

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