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Example1:Schindler'sListThebestHolocaustmovieevermadeisLifeisBeautiful.However,smceLifeisBeautifulcameoutin1997,therehastohavebeenanotherfilmthatheldthetitlebeforeBemgiirscomicmasteipiececamealongandsnatcheditaway.ThatfilmisSchindler1sList.Schindler'sLististhetruestoiyofOscarSclundler,aNazipartymembei;awarprofiteer,andamanresponsibleforsavingthelivesofover2000JewsintheHolocaust.Aswouldbeexpectedfi-onitheinajontyofHolocaustmovies,Schindler'sListisafilmthatyoucannotsayyoulovewithoutfeelmglikeatotalsclimuck.HoweverSchindler1sListiswhatyouwouldcallanendeamigfilm.Schindler'sListutilizesastarkscorebyJolmWilliamsandablack&whitephotogiaphybyJanuszKaminskimordertoprovidethefiilleffectoftheHolocaust:utterdepressionandhopelessness.ThefilmisaboutasdepressmgtowatchasLeavingLasVegas.However,despitethedesiretouseaSmith&Wessononyourselfwhilewatchingthismovie,thefilmmanagestocompelyoui*interest.Zailliairsscnptisrightontarget:pullingusinatthebegnuimgwiththestoiyofOscafsbnlliant(althouglinairissisticfbnnationofabusinessoutofnothmg.ThebusinessexploitstheJewsomuchthatyoubegintowonderifyouaiewatchingthewrongmovie.However,afterSchindlerwitnessestheliquidationoftheWarsawGhetto(stillthemosttouchingbunchofcelluloidIhaveeverwatched,hebeginstoworksubversivelyagainsttheGennansandfortheJews.Theonethmgthatweakensthefilmisthepresenceofhumor.Ifamovieisgoingfortheabsolutedrab,asSchindler1sListdid,itwouldbeagoodideatonottiytoliglitenamomentbyaddmgajokethatyouwouldfindmasecond-ratecomedy.HumorhasneverbeenZailliaifsstrongtpoint,andheshouldn^havetnedtostart.Regardless,Schindler'sListisstillthebestmoviethatSpielbergevermade,andthesecond-bestfilmabouttheHolocaust,Schindler1sListisatmediamaticclassic,capableofmakuiganyoneciyExample2:BraveHeart1Intoxicatedbythemelodiousandplaintivetimeonbagpipe,whichisthecharactensticmusicalmstinmentofScotland,myheartcaimothelpfloatingupanddownwiththeextremelytragicdestinyandintenseemotionofthevaliantheroWilliamWallace(playedbyMelGibson.■一BraveHeartisanoutstandingepicmovieinwhichlotsofvariouscomplexemotions,includingthepemianentpursuitoffreedomandthebmtaloppression,thepersistentpatnotismandthedespicablesuirendertopowerandstatus,thegallantself^sacnficeandthemeanactofbetrayal,themostunforgettableandmovingloveandthemostliyeconcilablehatredandallthesevereconflictsbetweenthemaredisplayedincisively,thorouglilyandexcellently.ItistheumocentandromanticmemoiyoffirstlovefiilloffragianceofpuipletlustlethatinvokesWilliamWallaceinreturninghomeland.ThepuipletliistlethatMiuxongivesWilliamWallaceathisfather'sbunalsymbolizestheimmortallove.UnderthehombleshadeofcrueloppressionofEnglandtheystmgglefortheirperfectlovecourageously.Unfortunately,MiuTonisseizedandkilledruthlesslybyanEnglishofficialsothatWilliamWallace'sheartisstnckenbygreatgnefandpain.Themomenthekillsthewickedofficialtotakehisrevengeherealizestheessentialresponsibilityplacedonhisshoulders.Hechangeslusindividualanguishmtoenomiouspowerofnationalspiritsoastodevotehimselftotheinnumerableandai-duouscombatsforthegreatfreedomofScotland.Duniigwai\maybethemostfatalthi-eatisnotthefonnidableweaponsbuttheconfiisedandevilhearts.TheScottishanstocratsyieldtoEnglandandbetrayWilliamWallacehvice.Itismthesecond
timeWilliamWallaceisairestedandkilledinhumanly.Tliemosttouchmgandaffectingsceneisthatatthelastmomentofluslife,endunnginconceivabletorture,WilliamWallaceexliaustshimselftoshoutout:Freedom?Mtotheboundlessskyandthepeople.Atthegateofparadise,hisbelovedwifeMUITOHiswaitingforInscoming.Hisbraveheart■一winsthemostna?veheartofMrnion,themostelegantheartofPimcessofEngland(playedbySophieMaiceauandthecountlesspeople'sheails.Throughthedignifiedablutionofblood,allthebwdenandhaidsluparereleasedfromhisrespectableandnoblesoul.SupportedandencouiagedbyWilliamWallace'seternalspirit,atthegreatexpenseofcountlesspreciouslives,Scotlandwinsherfieedom.WhenWilliamWallace'sstrongvoice“Freedom?Mechoesmmymind,theciyingskyofScotlandemergesmmyeyes.BraveHeartisreallyawonderfiilmoviethatcanhitpeople'sheails.Example3:BraveHeart2WliatistherethatcanbesaidaboutBraveHeartthathasiftbeensaidbefore?Ifsailepicmoviethatoughttobemtheconversationaboutthebestfilmsofthepastthirtyyears.Andactually,epic"桃liughtbetoosmallofaword.BraveHeartisasmuchabouttheinnerdramaofWilliamWallaceasitisaboutthelife-and-deathdianiaofthewarforScotland'smdependencemthelate13th,early14thcenturies.Ifsastoiytoldonagrandscalewithagieatdealcraft-andflair(andhumor.Tlusisamoviethatoffersbothstyleandsubstance.IfsadirectprecursortothesuccessofTheLordoftheRingsmovies-mdeed,onecanarguethatthesuccessofBraveHeartsetthestageforthosefilms.Tme,BraveHeartmaynothaveuniversalappealmteimsofgenre,story,oritsbrutalportrayalofwar.Buttherecanbelittledoubtofthevalueofafilmthatis,simply,oneofthebestIhaveeverseen.Thesuccessofthefilmrestsonthebalancewithwhichthestoryunfolds.Putsimply,there'ssomethmghereforeveiyone:romance,action,character,philosophy,conflict,cinematography,gi*eatlines,music,andsoon,andtheyallfittogetheralmostflawlessly.Pinsureifyoulookedhai*denougliyoucouldfindfaultwithsomepartsofthemovie,butconsidenngitsnearlythiee-hoiu*mntimeitmanagestoavoidpitfallsremaikablywell.ThisisWilliamWallace'sstory.Andthroughhim,theaudienceisallowedamirrorwithwhichtoviewitself.Thisisthetmemeasureofagreatstoiy:itsabilitytonotonlyprovidecoimnentaiybutalsotoprovokeintrospection.Andthathappensherequiteoften.Oneofthefilingmostquotedlinesis“Everymandies,noteveiymailreallylives.MWithinjustthosesevenwordsthereisagreatdealofthouglitandsentiment.Itencapsulatesaphilosophy,araisond^tre,thatanyonecanimmediatelyidentifywith.Andit'sabeautifiilplulosophy-likecaipediem.Anditencowagesustofindthepuiposeandmeamngwitlunourlivesonadailybasis.Tlusisalsoalovestoiy,betweenWilliamWallaceandMiuxon-achildhoodfiiend.Theirsisastoiythatflowsefiortlesslyfromcluldlioodtragedyandbonding,toadulthoodromanceandniamage.Indeed,itisMunoiVsmurderthatprovestobeWallace'smotivationtolaunchhispei-sonalwaragainstEnglandwhoseking,Edward'theLongshanks1isportrayedwithapowerfiillybmtalitymthefilm,makuighimaverycompellmgvillam.Wallace'squestisjoinedbyacastthatisquiteadeptintheirroles.Thereareliardlyanyweaklinksintheactmgofthismovie,whichmeansthattheunderlyingthemesandconflictsareportrayedtomaxunumeffectfi*omstarttofinish.MelGibsoifsduectmgcertainlyhastobecreditedforsomeofthatsuccess.

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