American Literature
第一阶段 独立革命之前(十七世纪中期之前)The Literature before the Revolution of Independence
第一节 美国本土文学(美国印第安传统文学)
Native American Literature (The Traditional Literature of the American Indians)
Three stages of development: traditional literature---transitional literature---modern literature
第二节 北美殖民时期文学(十六世纪末—十七世纪中)Literature of Colonial Settlements
John Smith (1580-1631)---the “first author” in the history of American literature;第一位美国作家
---A True Relation with a Description of the Country (1608) 《关于弗吉尼亚的真实叙述》
was considered to be the “first book” in American literature.美国文学史上的“第一部作品”
第三节 清教思想的表述 Puritanism
American Puritanism stressed predestination, original sin, total depravity, and limited atonement from God’s grace.
第二阶段 独立革命时期(17C中期—18C末)The Literature around the Revolution of Independence
With Franklin as its spokesman, the literature of this period experienced an age of reason and order. Thomas Jefferson’s attitude, that is, a firm belief in progress, and the pursuit of happiness, is typical of the period we now call Age of Reason.
Benjamin Franklin (1706-1790) God help those who help themselves. | Poor Richard’s Almanac | |
The Autobiography | a book of self-improvement | |
Thomas Paine (1737-1809) the Father of American Revolution | Common Sense | the greatest Revolutionary pamphlets |
The American Crisis | a series of 16 pamphlets | |
Rights of Man; The Age of Reason | ||
Philip Freneau (1752-1832) the poet of the American revolution the Father of American Poetry | The British Prison Ship | 英国囚船 |
The Rising Glory of America | 美国的荣耀蒸蒸日上 | |
The Indian Burying Ground | 印第安人殡葬地 lyric | |
The Wild Honey Suckle | 野金银花 | |
第三阶段 浪漫主义时期(十八世纪末—十九世纪中后期)
American Romanticism was also called American Renaissance. Romantics shared characteristics: moral enthusiasm, individuality and intuitive perception.
早期的浪漫主义作家 Pre-Romanticism | ||||
Washington Irving (1783-1859) the first prose stylist of American Romanticism; the Father of American Literature; the first American to achieve international literary reputation. | A History of New York | |||
The Sketch Book (the beginning of the American romanticism) | Rip Van Winkle The Legend of Sleepy Hollow the most famous and frequently anthologized tales | |||
Tales of a Traveler; The Alhambra | ||||
James Fennimore Cooper (1789-1851) developed three kinds of novels: novels about the revolutionary past, sea novels and the American frontier novels. | The Spy | |||
Leather Stocking Tales (frontier novels) | The Pioneers(the first true romance); The Last of the Mohicans(the best) The Prairie The Deerslayer; The Pathfinder | |||
The Pilot | Belong to sea novels | |||
炉边诗人 Fireside Poets/ New England Poets: first put American poetry on an equal footing with British poetry. | ||||
Henry Wadsworth Longfellow (1807-1882) the first American poet to write the narrative poems; have his bust placed in the Poets’ Corner of Westminster Abbey | Voices of the Night | |||
A Psalm of Life | The most famous work | |||
William Cullen Bryant (1794-1878) One of the America’s earliest poets; Stressed the American self consciousness | The Fountain; The White-Footed Deer | |||
The Forest Hymn; The Flood of Years | ||||
Thanatopsis《死亡随想》 | His most famous nature poem | |||
超验主义作家 Writers in Transcendentalism Transcendentalism, which appeared after 1830, marked the maturity of American Romanticism and the first Renaissance in the American literature. It laid emphasis on spirit and individual and nature. Nature—“The universe is composed of nature and the soul. Spirit is present everywhere.” This new voice led American Romanticism to the period of New England Transcendentalism, which was the most significant development of American literature in the mid-19th century. Actually transcendentalism is a philosophical school which absorbed some ideological concerns of American Puritanism and European Romanticism. Emerson and Henry Thoreau were the representatives. | ||||
Ralph Waldo Emerson (1803-1882) | Nature (1836) | the manifesto of American transcendentalism | ||
The American Scholar | America’s Declaration of Intellectual Independence | |||
Self-Reliance | 论自立 | |||
The Transcendentalist; | ||||
Divinity Scholl Address | 神学院演说 | |||
Henry David Thoreau (1817-1862) | Walden (masterpiece) a great Transcendentalist work | It stresses the importance of thought over material circumstance | ||
Civil Disobedience | ||||
American romanticism reached its peak with the appearance of the major authors of the 19th century such as Ellen Poe, Whitman and Emily Dickson in poetry, and Nathaniel Hawthorne and Herman Melville in fiction. | ||||
Edgar Allan Poe (1809-1849) the father of the American detective stories; the first American Professional writer | Tales of the Grotesque and Arabesque | His first collection of short stories. | ||
The Fall of the House of Usher | ||||
The Raven; The Helen | ||||
Nathaniel Hawthorne (1804-1864) the most ambivalent writer in the American literature history; the first great American writer of fiction; a master of symbolism; major works in human soul | Mosses from an Old Manse古宅青苔 | |||
The Scarlet Letter (masterpiece) | The way to write this novel suggests that American Romanticism adapted itself to American puritan moralism. | |||
The House of the Seven Gables | 有七个尖角阁楼的房子 | |||
The Blithedale Romance福谷传奇 | ||||
The Marble Faun玉石雕像 | ||||
Herman Melville (1819-1891) | Moby Dick (a Shakespeare tragedy) | The first American prose epic | ||
Typee 泰比 | ||||
Walt Whitman (1819-1892) the father of free verse in poetry | Leaves of Grass (Be praised as “Democratic Bible” and “American Epic”) | It marked the end of the American romanticism and the birth of truly American poetry. | ||
Song of Myself | ||||
Emily Dickinson (1830-1886) Abundant use of dashes | This is My Letter to the World | The theme is usually religion, life and death, love and marriage, etc. Her poetic idiom is noted for directness, plainest words and brevity. | ||
I Heard a Fly Buzz When I Died | ||||
第四阶段 现实主义时期(十九世纪中期—二十世纪初)American Realism
Major Features: 1) Straightforward or matter-of-fact manner;
2) Focus on commonness of the lives of the common people;
3) Objective rather than idealistic view of human nature;
4) Present moral visions;
5) Usually open ending.
American industrialization was the first important factor of the development of American Realistic literature. This was the beginning of the Age of Realism, which is also called “the Gilded Age” by Mark Twain.
The development of the Far West was the second important factor to promote the literary development. (The Gold Rush)
Local color fiction had a brief vogue when Realism first emerged in America.
改革者和废奴主义者 The Reformers and Abolitionists | ||||
Harriet Beecher Stowe (1811-1896) | Uncle Tom’s Cabin (the anti-slavery movement) | “the little woman who wrote the book that made this great war”---林肯 | ||
现实主义作家 Realism Writers Realism came as a reaction against the lie of romanticism and sentimentalism. A realistic writer is more objective than subjective, more descriptive than symbolic. Realists looked for truth in everyday truths. | ||||
William Dean Howells (1837-1920) | The Rise of Silas Laphams 塞拉斯·拉帕姆的发迹 | example of the American realism novels | ||
A Modern Instance | 一个现代的例证 | |||
A Hazard of New Fortunes | 新财富的危害(3部小说) | |||
Henry James (1843-1916) the founder of psychological realism | Daisy Miller | “an outrage to American girlhood” | ||
The Portrait of a Lady | masterpiece | |||
The Ambassadors 大使们 | a comedy of American and European manners | |||
The Wings of the Dove | ||||
乡土文学作家 Local Colorism Writers The ultimate aim of the local colorists or Regionalism is to write or present local characters of their regions in truthful depiction distinguished from others, usually a very small part of the world. | ||||
Mark Twain (1835-1910) the true father of our national literature; literary artist\ social critic; be famous for colloquial style and localism the first literary giant---broke out of the narrow limits of local color; described the breadth of American experience | The Celebrated Jumping Frog of Calaveras Country卡拉维拉斯县驰名的跳蛙 | |||
The Innocents Abroad | ||||
The Gilded Age | ||||
The Adventures of Tom Sawyer | ||||
The Prince and the Pauper | a historical romance | |||
The Adventures of Huckleberry Finn “all modern American literature comes” by Hemingway | one of the greatest books of western literature and civilization; in colloquial style; Humanitarianism ultimately triumphs. | |||
自然主义作家 Naturalism Writers American Naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic. | ||||
O · Henry (1862-1910) the father of the modern short story | The Cop and the Anthem; The Last Leaf; The Gift of Magi | |||
Jack London (1876-1916) the founder of psychological realism; spokesman of the working class | The Son of the Wolf | His first collection of short stories | ||
The Call of the Wild; White Fang | ||||
Martin Eden | the novel into which he put most of himself | |||
The Sea Wolf | ||||
Theodore Dreiser (1871-1945) | Sister Carrie | a poor girl who goes to Chicago to pursue the American dream | ||
Jennie Gerhardt; Trilogy of Desire | ||||
The Financier; The “Genius” | ||||
The American Tragedy | His greatest work | |||
Sherwood Anderson (1876-1941) 舍伍德·安德森 | Winesbury, Ohio 俄亥俄州瓦恩斯堡镇 | a collection of 23 interrelated stories of small-town life; won him a foremost position in contemporary American literature | ||
Stephen Crane (1871-1900) the pioneer who wrote in the naturalistic tradition | The Red Badge of Courage | landmark in American literary Naturalism | ||
Maggie: A Girl of the streets | the first naturalistic novel in America | |||
The Open Boat | ||||
第五阶段 现代主义时期(二十世纪初—)American Modernism
Modernism used to show the literary art possessing outstanding characteristics in conception, feeling, form and style after the WWⅠ. It means cutting off history and a sense of despair and loss. It refused to accept the traditional concept of value and all traditional ideological influences.
第一节 现代诗歌 Modern Poetry
Ezra Pound (1885-1972) the father of modern American poetry; the father of Imagist Poetry, the most influential leader of the Imagist Movement
| have influences on the modernist in Britain and America after WWⅡ | |
In a Station of the Metro | ||
The Cantos | awarded the Bollingen Prize | |
Robert Lee Frost (1874-1963) the most welcome of the New England poetry; combined traditional verse forms with a clear American local speech rhythm | New Hampshire The Road Not Taken Stopping by Woods on a Snowing Evening A Boy’s Will | |
Wallace Stevens (1876-1955) | The Auroras of Autumn | the most consistent, self-assured spokesman for the rationalist humanist tradition. |
Thomas Stearns Eliot (1888-1965) poet, playwright, literary critic his teacher: Ezra Pound | Ash Wednesday | |
Murder in the Cathedral | ||
The Waste Land | a central text of modernism | |
The Hollow Man; The Sacred Wood | ||
Gerontion 小老头 | ||
第二节 现代小说 Modern Fiction
Ernest Hemingway the spokesman for the Lost Generation; theme---courage in face of tragedy; the Nobel Prize in Literature 1954 | A Farewell to Arms | |
For Whom the Bell Tolls | ||
The Sun Also Rises | the image of the lost generation | |
The Old Man and the Sea (win the Pulitzer Prize) | Theme: man can be destroyed but not defeated | |
Death in the Afternoon | The depiction of the bullfight | |
F. Scott Fitzgerald (1896-1940) the literary spokesman of the Jazz Age
| This Side of Paradise Tales of the Jazz Age Tender Is the Night The Last Tycoon | |
The Great Gatsby (masterpiece) | embodies the disillusionment of the American Dream | |
Sinclair Lewis (1885-1951) the first American author to win the Nobel Prize | Main Street | |
Badditt 巴比特 | the picture of the middle-class business world of post-war America | |
John Steinbeck (1902-1968) the foremost writer of the Great Depression the Nobel Prize (1962) | The Grapes of Wrath | Won a Pulitzer Prize |
The Pearl | ||
Of Mice and Men | ||
Jerome David Salinger (1919-) 杰罗姆·戴维·塞林格 | The Catcher in the Rye 麦田守望者 | the youngster’s rebellions against the dubious values of the adult world |
Allen Ginsberg (1926-1997) | Howl 嚎叫 | |
Jack Kerouac (1922-1969) | On the Road | |
John Updike (1932-) the most realistic of all the postwar realists | The Rabbits Series | the sweet lonesome singer of Protestant mediocrity |
William Faulkner (1897-1962) Nobel Prize for literature (1950) | As I Lay Dying | |
Light in August | ||
The Sound and the Fury | a story of “lost innocence” technique: stream of consciousness | |
Absalom, Absalom! 押沙龙! | a historical novel | |
Eugene O’Neill (1888-1953) 尤金·奥尼尔 the leading playwright of the modern period of American literature | Long Day’s Journey Into Night | Marked the climax of his literary career and the coming age of American drama |
Beyond the Horizon | Nobel Prize (1936) | |
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